BWM save a piece of no-man’s land. For a short period of time one of the last pieces of no-man’s land has been “stolen” from Vienna public areas and shown at the Vienna Künstlerhaus, where it was closely looked at and cared for. Does the analyzing of no-man’s land lead to its total effacement? Does the appropriation of the no-man’s land phenomenon lead to its disappearance? Does viewing create or destroy the object of observation?

 

 

Date

April 2004

Client

Künstlerhaus GmbH

Participants

Curator: Jan Tabor

Photographer: Gerald Navara